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architectuur --- Architecture --- Sociology of culture --- Environmental planning --- urbanisme --- architecture [discipline] --- participatie --- Ixelles --- Brussel --- Bruxelles --- Burgerrecht --- Citoyenneté --- Rénovation urbaine --- Stadsvernieuwing --- Urban renewal --- City planning --- Urbanisme --- Citizen participation. --- Participation des citoyens --- 711.4 --- 316.334.54 --- place Flagey --- place Eugène Flagey --- Eugène Flageyplein --- Flageyplein --- Elsene --- Brussel (gewest) --- 711.4 <493 BRUSSEL> --- Steden ; openbare plaatsen ; pleinen --- Ruimtelijke ordening ; België ; Brussel ; Flageyplein --- Les Cahiers de la Cambre (tijdschrift) --- 711.61 --- Stedenbouw --- Bewonersparticipatie --- plaats --- Gemeentelijke planologie. Stadsplanning. Stedenbouw--België--BRUSSEL --- Stedenbouw. Ruimtelijke ordening ; pleinen, open ruimten --- 711.4 <493 BRUSSEL> Gemeentelijke planologie. Stadsplanning. Stedenbouw--België--BRUSSEL --- Rénovation urbaine --- Model cities --- Renewal, Urban --- Urban redevelopment --- Urban renewal projects --- Land use, Urban --- Urban policy --- Cities and towns --- Civic planning --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Citizen participation --- Government policy --- Management --- Rénovation architecturale --- Ville --- Concertation --- Habitant --- Habitat --- Habitat communautaire --- Habitat collectif --- Place Flagey --- citizen participation --- participatory design
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Early 21st century media arts are addressing the anxieties of an age shadowed by ubiquitous surveillance, big data profiling, and globalised translocations of people. Altogether, they tap the overwhelming changes in our lived experience of self, body, and intersubjective relations. Shifting Interfaces addresses current exciting exchanges between art, science, and emerging technologies, highlighting a range of concerns that currently prevail in the field of media arts. This book provides an up-to-date perspective on the field, with a considerable representation of art-based research gaining salience in media art studies. The collection attends to art projects interrogating the destabilisation of identity and the breaching of individual privacy, the rekindled interest in phenomenology and in the neurocognitive workings of empathy, and the routes of interconnectivity beyond the human in the age of the Internet of Things. Offering a diversity of perspectives, ranging from purely theoretical to art-based research, and from aesthetics to social and cultural critique, this volume will be of great value for readers interested in contemporary art, art-science-technology interfaces, visual culture, and cultural studies.
#SBIB:316.7C210 --- #SBIB:39A5 --- #SBIB:303H12 --- 316.37 --- 316.37 Identiteit. Individu en maatschappij. Persoonlijkheid --- Identiteit. Individu en maatschappij. Persoonlijkheid --- Cultuursociologie: kunst: algemeen --- Kunst, habitat, materiële cultuur en ontspanning --- Methoden en technieken: sociale wetenschappen --- Multimedia (Art) --- Art --- science [modern discipline] --- technology [general associated concept] --- privacy --- identity --- Internet --- globalization --- new media art --- surveillance --- anno 2000-2009 --- anno 2010-2019 --- anno 2020-2029
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In 'Colonial Legacies', Gabriella Nugent examines a generation of contemporary artists born or based in the Congo whose lens-based art attends to the afterlives and mutations of Belgian colonialism in postcolonial Congo. Focusing on three artists and one artist collective, Nugent analyses artworks produced by Sammy Baloji, Michèle Magema, Georges Senga and Kongo Astronauts, each of whom offers a different perspective onto this history gleaned from their own experiences. In their photography and video art, these artists rework existent images and redress archival absences, making visible people and events occluded from dominant narratives. Their artworks are shown to offer a re-reading of the colonial and immediate post-independence past, blurring the lines of historical and speculative knowledge, documentary and fiction. Nugent demonstrates how their practices create a new type of visual record for the future, one that attests to the ramifications of colonialism across time.
#SBIB:39A5 --- #SBIB:39A73 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Art, Congolese (Democratic Republic) --- Artists --- 77 --- 77 Fotografie --- Fotografie --- Art moderne --- Persons --- Photography --- Film --- Congo --- Art congolais (République démocratique). --- Art, Congolese (Democratic Republic). --- Artistes --- Artists. --- Congo (Democratic Republic). --- Art --- video art --- Baloji, Sammy --- Magema, Michèle --- Kongo Astronauts --- Senga, Georges --- Art congolais (République démocratique du Congo)
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"How contemporary artistic practice insists on and models coexistence in the face of the 21st century's monumental migration crises and its alienating and dehumanizing effects"--
Emigration and immigration in art --- Humanity in art --- Art and society --- Art, Modern --- #SBIB:39A5 --- #SBIB:39A6 --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Philosophy --- Kunst, habitat, materiële cultuur en ontspanning --- Etniciteit / Migratiebeleid en -problemen --- Social aspects --- art [fine art] --- migration [function] --- social stratification --- political art --- samenleving --- art [discipline]
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Een mooi overzicht van de geschiedenis van de dans, waarin o.a. aandacht wordt besteed aan de Zuiderse tarantella en de Moreskendans uit onze contreien die in Engeland beter gekend is als die prachtige Morris dance.
Art --- Catalogues d'expositions --- Kunst --- Tentoonstellingscatalogi --- insanity --- rituals [events] --- bezetenheid --- dances [performance events] --- trance --- danstheater --- 792.32 --- 291.315.6 --- 793.32 --- Tentoonstellingscatalogi ; Antwerpen ; Koninklijk Museum voor Schone Kunsten --- Thema's in de kunst ; dans ; trance --- Paul Vandenbroeck --- moreskendans --- tarantella --- argia --- Tabal Mohammed --- El Atrach Abdellah --- danstherapie --- rave --- Bewegingskunst: oude dansen; ritueel dansen --- Godsdienstwetenschap: religieuze dansen --- 793.32 Bewegingskunst: oude dansen; ritueel dansen --- 291.315.6 Godsdienstwetenschap: religieuze dansen --- 792.32 Bewegingskunst: oude dansen; ritueel dansen --- #SBIB:39A5 --- #SBIB:39A73 --- 7.04 --- kunst --- dans --- Noord-Afrika --- 7.03 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Iconografie --- Exhibitions --- Ethnology. Cultural anthropology --- Theatrical science --- art [fine art] --- Iconography --- Recreation. Games. Sports. Corp. expression --- Africa --- Europe --- iconografie --- feesten --- rituelen --- Europa --- Afrika --- Dancing in art --- Trance --- Koninklijk Museum voor Schone Kunsten (Antwerpen) --- Catalogs --- Kunst, habitat, materiële cultuur en ontspanning --- dansen --- art [discipline] --- dansritueel --- genezing --- dodenritueel --- geschiedenis --- cultuurpsychologie --- Europa. --- Afrika.
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#SBIB:39A5 --- #SBIB:316.7C124 --- Kunst, habitat, materiële cultuur en ontspanning --- Cultuursociologie: gebruiken, zeden en gewoonten --- architectural heritage --- culturele antropologie --- bouwkundig erfgoed --- Ethnology. Cultural anthropology --- social anthropology --- 316.7 --- 366.1 --- 316.7 Cultuursociologie --(algemeen) --- Cultuursociologie --(algemeen) --- Consumentengedrag --- Material culture --- Material culture. --- Culture matérielle --- monuments --- colonialism --- Museology --- museology --- perception --- performance art --- audiences --- architecture [object genre] --- material culture [genre] --- material culture [discipline] --- intellectual property --- collecting --- preserving
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"Delinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944."--
New media art --- Art, African --- Art and technology --- #SBIB:39A8 --- #SBIB:39A5 --- #SBIB:39A73 --- Technology and art --- Technology --- African art --- Art, Sub-Saharan African --- Sub-Saharan African art --- Arts, Modern --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Art, African. --- Art --- art [fine art] --- technology [general associated concept] --- digital art [visual works] --- new media art --- Africa --- art [discipline]
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Deze catalogus is gepubliceerd naar aanleiding van de tentoonstelling Andrea Zittel: critical space georganiseerd door Paola Morsiani, curator van Contemporary Arts Museum in Houston (1 okt 2005 -1 jan2006) en Trevor Smith, curator van het New Museum of Contemporary Art in New York (26 jan-29 april 2006)
travel trailers --- sculpting --- installations [visual works] --- costume [mode of fashion] --- residing --- architecture [discipline] --- Art --- interior decoration --- Zittel, Andrea --- Habitat --- Andrea Zittel (° 1965, Escondido, Ca., Verenigde Staten) --- Interieurarchitectuur ; wooncellen ; woonunits ; A. Zittel --- Compacte woningen --- Design ; kleding ; kostuums --- Woningbouw ; interieurarchitectuur ; kleine leefruimtes --- Tentoonstellingscatalogi ; New York ; New Museum of Contemporary Art --- 749.07 --- (069) --- Paola Morsiani, Trevor Smith ; with contributions by Cornelia Butler, Beatriz Colomina, Mark Wigley, Robert Cook --- kunst --- design --- interieurvormgeving --- installaties --- Zittel Andrea --- Verenigde Staten --- kunst en interieurvormgeving --- minimale architectuur --- 7.071 ZITTEL --- 747.071 ZITTEl --- Andrea Zittel --- kunst 20e eeuw --- kunst 21e eeuw --- 7.071 --- Meubelontwerpers ; designers ; interieurarchitecten --- (Musea. Collecties) --- kunstenaars --- Exhibitions --- Zittel, Andrea,
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art theory --- urban planning --- monuments --- Metzger, Gustav --- Höller, Carsten --- Althamer, Paweł --- Oldenburg, Claes --- Asher, Michael --- Wallinger, Mark --- Alÿs, Francis --- Rickey, George --- Creed, Martin --- Gormley, Antony --- Gonzalez-Foerster, Dominique --- Wentworth, Richard --- Judd, Donald --- Eisenman, Peter --- Quinn, Marc --- Whiteread, Rachel --- Banksy --- Art and anthropology --- Art and society --- Art --- Public art --- #SBIB:316.7C210 --- #SBIB:39A5 --- Civic art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Art and sociology --- Society and art --- Sociology and art --- Anthropology and art --- Anthropology --- Philosophy --- Cultuursociologie: kunst: algemeen --- Kunst, habitat, materiële cultuur en ontspanning --- Analysis, interpretation, appreciation --- Social aspects --- Environmental planning --- public art --- outdoor sculpture --- Philosophy and psychology of culture --- Christo
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Art --- Plantae [kingdom] --- ecological art --- Varda, Agnès --- Baumgarten, Lothar --- Hybert, Fabrice --- Gaines, Charles --- Hansen, Mark --- Leonardi, Cesare --- Varejão, Adriana --- Zerbini, Luiz --- Pietrusko, Robert Gerard --- Penone, Giuseppe --- Tostes, Afonso --- Encina, Paz --- Biersteker, Thijs --- Rubin, Ben --- Smith, Stewart --- Pimenta, Nilson --- Oursler, Tony --- Diller Scofidio + Renfro [New York, N.Y.] --- Trees --- Animal ecology --- Climatic changes --- Global warming --- 7.043 --- 581 --- Thema's in de kunst ; bomen --- Bossen ; bomen --- Warming, Global --- Global temperature changes --- Greenhouse effect, Atmospheric --- Changes, Climatic --- Changes in climate --- Climate change --- Climate change science --- Climate changes --- Climate variations --- Climatic change --- Climatic fluctuations --- Climatic variations --- Global climate changes --- Global climatic changes --- Climatology --- Climate change mitigation --- Teleconnections (Climatology) --- Animals --- Zoology --- Ecology --- Dendrology --- Nursery stock --- Woody plants --- Arboriculture --- Forests and forestry --- Timber --- Environmental aspects --- Habitat --- Iconografie ; planten, bomen, vruchten --- Plantkunde in het algemeen --- Exhibitions --- Global environmental change
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